Essay on lying2024

 


What is a lie? Where do its limits end? Can it be a tool for creation, a prism through which we understand reality? This essay is an exploration of lying in all its forms—moral, philosophical, artistic, and existential.

I begin by defining its contours: what are lies, truth, and reality? Then, drawing on the ideas of Nietzsche (1844-1900) and Oscar Wilde (1854-1900), I examine how lying can embellish reality, while Hans Vaihinger (1852–1933) presents it as a necessary tool for understanding the world. Jean Baudrillard (1929–2007), on the other hand, invites us to see it as a bridge between the real and the imaginary.

The essay continues with the rediscovery of Liart, a little-known French artistic movement from the 1970s, born in Paris during the Cold War in reaction to propaganda and media manipulation.

I then share my experience of a week-long training at l’École Nationale d’Administration (ENA) under the guidance of coach David Crookall, author of Communication and Simulation (1989), before concluding with an interview with a former mythomaniac who claimed to have found a miraculous formula to eliminate all the waste on Earth.

Finally, in a closing chapter devoted to truth, doubt takes over. Gradually, the boundary between reality and fiction fades. I become lost in my own lies, questioning even language itself—the origin of lies, as it reduces and confines thought.

A short version is available when you click on the pic.

You can ask the full version by mail here